30. Jahrgang
Beibl. A Ur. 23
Die LOehrerin
Organ des Allgemeinen Deutſchen Lehrerinnenvereins
Beiblatt der Sektion für höhere und mittlere Schulen
und Uorreſpondenzblatt des Verbandes akademiſch gebildeter Lehrerinnen -
| Herausgegeben von den Vorſtänden
Redaktion: Marta Bandau in Berlin-Halenſee & x Derlag von B. G. Teubner in Leipzig und Berlin
T. Sebruar
1914
Alle Manuſkriptſendungen für dieſes Beiblatt A ſind zu richten an Sräulein Marta Bandau, Berlin:Halenſee, Seeſener Straße 54.
Unverlangt eingeſandte Manuſkripte können nur zurügeſandt werden, wenn ausreichendes Rückporto beigefügt iſt.
-- Abt.
Verbandönahrichlen Abt. Berlin (Nächſte Sißung).
Hamburg (Einladung)
Lektüre und freie Arbeiten im Cngliſchen nach den Programmen
S. 91
!
der höheren Lehranſtalten für die weibl. Jugend in Preußen.
: (Fortſeßung von Nr. 22 S. 9)... . . u. u uu uu S. 91
; Mitteilungen. . . ..iuioieis is ies ois irie in io iu or jr O4
- Verband akademiſch gebildeter Lehrerinnen.
Abfeilung Berlin.
Nächſte Sipung Sonnabend, den 28. Februar 1914,
abends 71, Uhr.
Deren neee mm marta eren
Dbfeilung Bamburg.
Mitgliederverſammlung
am Mittwoch, den 11. Februar 1914, 6*/, Uhr abends,
in der Schule des Paulſenſtifts, Bülauſtraße 20.
Tagesordnung:
1. Eingabe an die Oberſchulbehörde um Einrichtung von wei-
teren Oberlehrerinnenſtellen an den beiden ſtaatlichen Volks-
i<ullehrerinnen-Seminaren.
2. Über Jugendwandern. Referenten: Dr. H. Harkenſee und
Frl. W. Hellmuth.
Ausſprache. =-- Gäſte willkommen. Der Vorſtand.
Lektüre und freie Arbeiten im Engliſchen
nac< den Programmen der höheren Lehranſtalten für dic
weibliche Jugend in Preußen.
(Kommiſſion der Abteilung Berlin des Verbande3 akademiſch
gebildeter Lehrerinnen.)
B. Freic Themen
L1.
Origin and Growth of the Englieh Language. A Short Sketch
of the Developmwent of the Englisbh Language. Formation of the
Englisbh Langnage. The Chief Elements of the Englisb Lavguage,
--- The Origin of the Englisbh Drama. The Early Evglieb Drama.
Rise and Development of tbe Englieb Drama. -- The Elizabethan
Period in English Literature. Spenger' Ss Life. Spenger's Life and
Works. Edmund 3perser and bis Work. William Shakespeare (5).
Shakespeare's Life (4). William Shakespeare's Life. The Life of
Shakespeare (2). A Sketch of Shakespeare's Life. Sketch of the
Life of Shakespeare. A Few Paets from the Life of Shakespeare.
Some Notes on Shakespeare's Life. Shakespeare, a Short View
of bis Life and Works. Shakespeare and his Works. The Swan
of Avon. BShakespeare's Tomb. Shakespeare's Theatre. The
Theatre of Shakespeare. The KElizabetban Theatre. The Globe-
"Theatre in Shakespeare's Time. English Theatres in the Time
of Shakespeare. The English Theatre at the Time of Shake-
speare. The Theatre in Shakespeare's Time (2). Theatres and
Actors at Shakespeare's Time. Performance of a Play in the
Time of Shakespeare. A Theatrical Performance at the Time of
Shakespeare John Milton (5). Jobu Milton's Life.---The Beginnings
of the Modern English Novel. Oliver Goldsmitbh (2). Waghington
Irving. Life and Works of Charles Lamb. Robert Burns (3).
and Poetry of Robert Burns. The Romantic Moyement in England.
William Wordsworth. Walter Scott. Sir Walter Scott (2). The
Life of Walter Scott. Sir Walter Scott, Outline of bis Life.
Scott's Study. Scott's Countrygeat and Fawily. Thomas Moore.
Thomas Mooxze's Life. Byron. Lord Byzron (4). Byron's Life.
The Life of Lord Byron. Life of Lord Byron. Byron's Youth.
The Youth of Lord Byron, Life and Character of Lord Byron.
Life
Byron's Life and Works. -- Tennyson. Lord Tennyson. Tennyson's
Life. A Short Sketch of the Life of Tennyson. The Early Life
of Alfred Tennyson. Lord Alfred Tennyson and bis Works.
Biography of Tennyson. Elizabeth Barrett-Browning. Robert
Browning. Irving and Dickens, Two Novellists. Charles Dickens.
Life of Dickens. The Life of Charles Dickens. Charles Dickens,
a Biography. Charles Dickens's Boyhood. Charles Dickens, and
why we call him a Social Reformer. American Poets,
The Lay of Beowulf. The Story of Beowulf. The Tale of
Beowulf. The Legend of King Arthur's Death. Chaucer and tbe
Canterbury Tales. Canterbury Tales. The Story of the Patient
Griselda (trom Chaucer's C. T.). The Cock tells his Own Story
(nach Chaucer). Chaucer's Power of Portraying Characters. The
Plays of Old England. Edmund S3penser and bis Fairy Queen.
A Midsummer "Night's Dream. Contents of Shakespeare's Jſ[.
Ns D. -- The Second Act of King Riehard IT. -- The Merchant
of Venice. The M. of V. (Contents). Summary of Zhe M. of V.
The M. of V. (Indroduction). Contents of the First Act of Sh.'s
M. of V. (2). What do we learn from the First Scene of the First
Act of The M. of V.? What do you know of Bassanio after read-
ing the First Scene of Zhe AM. of V.? What do we bear about
Antonio, Bassanio, and Portia in Act 1 86.1 and 2.of Zie M. of V.?
Antonio in the First Act of 3b.'s M. of V. 8Shylock as depicted
in the First Act of The JL. of V. In what Way do Antonio and
Shylock meet firgt? Zhe M. of V. Act 1 Sc.1. The Tale of the
Cagkets in 8..'s M. of V. The Story of the Three Caskets from
The M. of V. Three Caskets. Bassanio's Choice. The Comments
of Portia's Suitors on the Caskets. Portia's Suitors comment on
tbe Caskets. Witb what Words does Portia leave her House to
belp Antonio? Shakespeare's M. of V. Act IV Sc. 1: Enter Porta,
dresged as 3 doctor of laws. The Trial Scene in Sb.'s M. of V.
The Judgment in 3b./'s M. of V. Portia in the Law-Court of.
Venice. Portia and Sbylock in the Law-Court, Jessica tells her
Story. The Two combined Stories in Zhe M. of VF. What Part.
does Portia play in The M. of V.? Portia, a Wise Judge. Por-
tia's Character after The M. of V. (2). Portia's Character (from:
The M. of V.). Portia's Suitors (after The JM. of V.). -Shylocks
Character (from Zhe M. of V). Characteristics of Shylock. Ihe
M. of V., Contents of a Scene. Something from The M. of Y.
Ein Thema aus The M. of V. A Character from The M. of V.
(Selected). Short Account of Lamb's M. of V. -- The Secret Mar-
riage of Romeo and Juliet. -- The IJMerry Wives of Windsor. -- 48
you like it: Summary of Act I. --- The Historical Subject in Sh.'s
Julius Caesar. Historical Introduction to Shb.'s J. C. The Ex--
pozition of Sh.'s J. OC. The First Act of Sh.'s J. €. The First
Act of J. C. (2). J. C. First Act. Argument of the First Act:
of J. C. The Opening Scene of the First Act of 7. OC. JI. Cis
The Beginning of the First Act. Brutus and Casgins in the Se-
cond Scene of 3b.'8 J. C. Brutus and Cassins in the First Act.
of J. C. Brutus and Cassius (J. C. Act 1. Cassius attempts to
win Brutus and Casca, The Formation of the Conspiracy (an-
gchließend an J. Q. Act 1). The Formation of the Conspiracy in
J. CO. The Formation of the Conspiracy in Sh.'s J. C. The Agi-
tations of Julius Caegar's Enemies. Argument of Act 11 of J7.C.
The Third Act of J.C. J.C. Act II. Account of the Third Act
of 8b.'8 J. CO. Contents of the Third Act of Sh.'s J. C. Caegar's.
Death. Mark Antony" 8 Forum Speech. Antony's Address to the
Romans from Sh.'s J. C. Mark Antony's Speech and its Success
(J. C. 111, 2). Mark Antony's Oration, a Masterpiece of Rhetoric.
The Rhetorie Construction of Mark Antony's Oration in 3..'8.
J. C. Comparison between the Speeches of Brutus and Mark
Antony. Brutus' Death. Jnulins Caesar. Brutus. Portia. Portia
in J. CO. Mark Antony. Characteristic Features of the Conspi-
rators in Sh.'s J. C. How Cassius tries to prove that Caesar 1s
20 Colosgus. Why did Brutus join the Conspirators? How does
